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Grateful Dead Live at Silva Hall, Hult Center on 1983-08-31




Set 1

Alabama Getaway-> Greatest Story Ever Told, Dupree's Diamond Blues, Me & My Uncle-> Mexicali Blues, West L.A. Fadeaway, Hell In A Bucket, Althea, Cassidy-> Don't Ease Me In

Set 2

Cold Rain & Snow, Playin' In The Band-> China Doll-> Drums-> Space*-> Truckin'-> Stella Blue-> Around & Around-> Good Lovin', E: U.S. Blues

user reports: *Ken Kesey on harmonica, standing behind drums


Collection GratefulDead
Band/Artist Grateful Dead
Date August 31, 1983
Venue Silva Hall, Hult Center
Location Eugene, OR

Source Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes;
Lineage Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taped by Da Weez
Transferred by D5scott


Notes

---------------------------------
R.I.P. Sandy - aka "Bigfoot"
---------------------------------

Reviews

Reviewer: njpg - - September 18, 2014
Subject: -
By far the best copy. The show has its moments both ways.
Reviewer: jjg4762 - - May 6, 2014
Subject: althea
I agree this althea has a slower grind to it.
I love the jams in this show. Funny cause I am not sure if they meant as much to me back then cause during the time in the show they rip them off we usually are all sitting getting stoned. I sure hope I was up and grooving during them but I do think more likely not. The tribal groove is always awesome. 5 stars because I loved the Hult and the sound is good here.
Reviewer: DMT - - October 28, 2013
Subject: great Althea
Nice. Jerry sounds strong in the first set, second set a little less so. good show
Reviewer: lukerandall - - November 29, 2012
Subject: Great shows
Subject: Great shows
I recorded these shows with a portable Aiwa stereo recorder and a stereo Aiwa mic on my hat. I was up in the top balcony in the back. The theater was brand new and it sounded amazing up there at the top, kind of like the unamplified quality you hear at the metropolitan opera house. I recorded all three nights . And later on around 1992 when a young enthusiast copied all my tapes and posted his list on an early GD tapers website hew received hundreds of request for the Hult cCenter shows I had taped. I later used a sony D-5 and patched into many various Mics and got better quality recordings but not many people asked for many of those. The bass in the Hult Center sounded amazing tight and perfect and you can hear on all the recordings from there.

I also met Ken Kesey there outside and he told me two things 1. That you used to be able to walk across the Bering Strait and then the continents drifted apart. 2. That Jerry black T-shirt was not actually a T-shirt but it was a black tattoo on his body. I will never forget looking into his eyes. He might have been tripping. I was high but not on acid.
Reviewer: E.R.C. Iceman! - - January 19, 2011
Subject: Classic Kesey!
Good show! Great recording!
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on 1/15/2011
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PEOPLE ALSO FOUND
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - DTS mixing by Kevin Tobin
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Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90); Recorded FOB from floor Section 3, Row Q, Seat 8
Grateful Dead
by Grateful Dead
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Source: Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1) and Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
364
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Source: First Generation Cassttes Unknown Mics/Deck,Unknown Original Transfer Info; Tapes From White,Transfer By Keo; Tapes:Maxell XLII 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
Grateful Dead
by Grateful Dead
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Source: Nak300>CP4>D5 no dolby; ots dfc mics @10ft pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.5>cdwave splits>tlh flac8
Grateful Dead
by Grateful Dead
450
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Grateful Dead
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Beyer's Unknown Make > Sony TC-D5M; Tapes: Set 1 Maxell XLII 90, Set 2 Maxell XLII-S 90; Tapes Labelled: Master - 2 Beyer, T.D.; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
378
0
0
Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Grateful Dead
by Grateful Dead
444
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Source: AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Joe Morrone.
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by Grateful Dead
1,261
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Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand, back of floor center, directly behind the lighting board.